[Published on InsouciantWriting.com November 19, 2014]
About an hour into the “Quest 4 Visions” opening, red dots sprinkled the collection of Sanda Cook at the Pittman-Puckett Gallery in Ferndale. “Starscape” grabbed my attention instantly on the eastern wall, but I wanted to follow the hypnotic effect of her work in numerical order. I also didn’t want to interrupt her interview with Steve Lloyd, so I started with the western wall.
Allusions to graffiti and collaging felt most prominent in “Protection” but light and layering bound together Cook’s engagement with experiences of emotional and astrological sorts. “Soul Retrieval” was a gripping example of how curiously she characterized her observations of people. Variations of human shapes and landscapes left little room to inaccurately predict the success of the Romanian artist’s exhibit.
The western wall hosted larger pieces of equally expressive magnitude. “Galleon” delivered solemn emotions where red slashes forged a macabre naval craft. “Love Letter” entertained issues of distraction and clarity when unveiling a message of value. Perhaps for this reason, it resembled the troublesome fuzziness of images of dated televisions when their antennas were improperly coordinated.
In the midst of observing “Cosmos” I met Skip Davis and photographer/potter Rose Lewandowski who appreciated a co-designed, two-toned, asymmetrical trench coat I donned by Randal Jacobs. Before and after years of neglecting her imaginative self for the sake of motherhood, honing her craft in pottery and image making came with a natural purity. She met Cook at a show in March of 2014 and they have since fueled each other’s creative fervor. After flipping through a few pages of Lewandowski’s portfolio, Cook greeted me with jubilance and I held no restriction of praising her visual assortment but focused particular attention to “Starscape.”